So I just threw the I Ching for the first time in my life.
It was difficult to maintain an optimistic mood while reading through the short introduction. Words like "Venerable Reverend" immediately send off red flags in my head, especially when used in someone's title. There was no small amount of what I would deem "hocus pocus" in the introduction, referencing cosmic energies collecting in my shaking hands as I mulled over the forward question. Despite my affinity for the Tao, the truth is that I don't really buy the more mystical aspects of the ancient philosophy. When I first read the Tao Te Ching a few years ago, I will not deny only retaining the more sensible bits, and forgetting the ones dealing with enlightening energies.
But, with Lincoln-adorned pennies in-hand, I completed the millennia old ritual. The upper trigram came to Lake, and the lower trigram was Mountain, making my Canto number 31. This particular Canto seems to be rooted in reflection and a forging of ideas through words. The particular verse for this Canto is as follows:
Scholars and poets
Gather at mountain lakes
To speak of words of making
That uplifts the heartmind of humanity.
I can't quite make out how this affects my proposed question. Perhaps it is referring to how I should come to my conclusion. What is more interesting, however, is the Hidden Hexagram 44, associated with my Canto of 31. The 44th Canto deals with my accessible notions of attraction and desire, giants I have grappled with for years now. The verse for the Hidden Hexagram is as follows:
Issuing from heaven
A continuous wind blows across the land.
Only a woman of stature and uncommon strength
Can resist the tempest.
The "Musing Words" mostly deal with hidden desires, words like voluptuous and intercourse. Yet the "Mystic Window" speaks about some kind of evil trying to enter my life, and how I and a small group of close friends must smite this evil. How very epic.
I wonder how much of the I Ching is getting people to think through their problems, much like the simple probing questions of a modern psychiatrist.
Sunday, July 24, 2011
Friday, June 24, 2011
Ten Enterprising Young Men and Women
A note about the following text. It is the (nearly) complete journal kept by me during my first backpacking venture, a three week long trek through the Uinta Mountains of northern Utah. The out-of-place formatting is kept true to the words' actual orientation on their original pages. You cannot get more authentic with computer-generated text. In keeping with the censure-less nature of this collection of writings, this will be the first time the entirety of the journal will be "published." I apologize for any embarrassments sustained by others, I will remove offending passages if requested. Finally, all spelling and grammatical errors are retained for the sake of authenticity, and to provide a window into my still young and immature mind in the later half of the year 2007.
---
July 22, 2007
Today is the first real day of the trip.
We’ve yet to leave Earlham, dabbling in the
pre-requisites to adventure. I will write about
what is on my mind foremost. There are
a handful of young women at my disposal.
Two are somewhat attractive, more interesting
than anything, and one in particular is
quite cute. Funny how Earlham draws in
cute girls, not the vixens and seductress’s
one usually encounters. She reminds me of
Jill. I’ve found myself staring at her
from time to time. I hope it does
not draw from my adventure.
The handful of fellow males in our
“brigade” are comical at best. One chap
is unusually tall and seems lost in
the ‘70’s. Another is almost as tall, and
almost jock-like. One is nearly a clone
of Paulo and another has hair like
Casey. This will be interesting.
July 23, 2007
Airports. The great nexus’s of the world,
the routers of the United States Network, the
T-pipes of the American pipedream. The
thousand gear machine in a sandbox. I hate
airports. Today I have seen braless women,
cowboys, a statue of Bush reminiscent of
a Greek hero and frightening old men.
Due to delay, we had to change our
plan. I am now part of a sort
of expeditionary team of 6, sent on a
different route to the same destination.
We are about to leave for Salt Lake City,
hopefully the final leg in our trip to our
adventure.
I am not with the cute Jill-like girl, who
is named Ashley. She seems fiercely independent,
much like Jill, and things do not look
well. None the less, we press on.
Where I Come From
Physically I come from the flat
fields of Indiana, riddled with nostalgic
memories and no adventures.
Mentally and socially, I hail from
the Blue Ridge Mountains of western
North Carolina. I grew up there,
and maintain the proper wit and
adventuresome spirit instilled in me there.
I come with pride, eagerness and general
yearning to see the American range
which dwarfs my beloved Appalachia.
For too long I’ve piddled on the
unexciting flatland of Indiana. I’ve neglected
opportunities to expand myself, and now
I’m going to take it all back. I’m
going to the god’s finest sculpturings,
to see what I am really made of
and to experience something the legends of
old reveled in. I am hoping to become
enlightened on the spirit of nature.
July 24, 2007
We arrived in the wilderness today.
I once again feel the vigor of the
mountains. It is truly splendid. I have
been put in a sleeping/cooking group with
Ashley, who reveals more and more
Jill-like traits everyday. She is quiet,
arrogant and strong. Truly strong,
on the level of mental integrity.
And at times I find her
more attractive. How strange this
is. She is Jill as far as I’m
concerned.
We are sleeping under an old
fashioned tarp. I prefer my tents
but we’ll see. We had spaghetti
tonight and it was decent. Breakfast
is going to kill me but we’ll see.
I love the mountains.
July 25, 2007
I do not believe I will ever
again purposely wear so much weight
on my back. I am a weak
group member and this saddens
me. Oh well.
It rained again today. We
managed to make some bean
salsa and cheese tortilla. I am
eating things I hate. Oh
well. Trail mix is also horrid.
Today we also stole a water
bladder from another group. It
is bad and immoral, but necessary.
Minutes before making camp a thunderstorm
rolled into the valley, truthfully
chasing us up the trail. It was
quite ominous, with booming thunder
heralding demoralizing rain.
July 26, 2007
Today we saw two moose. It was
a spectacular moment, and moose
are indeed majestic creatures. Lumbering
giants of the alpine world, feeding
on quaint grass and other greens.
Truly the whales of the mountains.
I finally proved my usefulness to
the group today. I whittled a spoon-like
ladle to scoop out the butter, and
later showed my true worth by
carving our own wooden trowel. I
am happy to finally be an
important part of the team.
We ate macaroni and cheese today.
It was pretty good, even if it
was mostly buttery milk in noodles.
Up to this point I’ve neglected
any detailed descriptions of our surroundings
so I’ll do that now:
The mountains are like great craggy
mounds, showing the stratified rock
of prehistoric times. They are
somewhat rounded at times, but
are nowhere near the graceful
Appalachians.
The forests are reminiscent of
those in the Adirondacks, rocky
and filled with conifers. Weak,
brown grass covers the floor,
also with an abundance of poo.
The strange thing to me are
the sprawling meadows in the middle
of the great expanse of trees.
Laden with quaint wildflowers, and
lush grass, they contrast greatly with
the decaying forest nearby. Hundreds of
trifling streams also flow through
the meadows, in a bed of
rocks almost laid specifically for it.
They are gushing, babbling and serene,
quite a nice addition.
Today we entered an immense bowl.
Carved by a primordial glacier,
we stood surrounded by breathtaking
mountains and peaks. It was
simply beautiful.
July 27, 2007
The moon is out and full on
a clear night. It is somewhat
eerie to see the moon with
so much of its natural light.
I am looking at the stars
but not recognizing any constellations.
This would be the perfect night
to go star gazing with Cassandra.
Today we saw a pika. Funny
little thing, it got about 5 feet
away from the nearest person.
It did not rain today!
I had a very nostalgic moment
today. We made jelly turnovers, and
it tasted just like mommy’s homemade
bread. It was spectacular.
*Here I drew a strange carving I found in the side of a tree.*
I found this carved into a
tree far off the trail. It appears
to be cut via chainsaw, but the
perfect curves are baffling.
The tree is dead but sturdy,
with the insignia on a very
large patch of exposed wood. There
are faint axe marks on the various
areas, insinuating the patch is artificial.
July 28, 2007
Today we went to a very
nostalgic place for me. We
took a short hike down
our valley and came out onto
a long, slightly sloping expanse
of smooth rock lined with
a rushing stream. Everyone was
so excited and amazed by this
feature, this Rocky Mtn. version
of Sliding Rock. All I could
do was smile brightly. Everyone
got in the water but me,
although I did allow my feet
to revisit a mountain stream. It
was very nice and welcome.
We got about ¾ back up the
trail when Ashley realized she
forgot her whistle, so I went
back down with her to fetch it.
July 29, 2007
Today was a bit easier on the
trail. We hiked around 5 miles,
but my pack was unusually light.
The day of rest also helped.
We are camped on a sort
of mini-plateau, among horses
owned by an anonymous shepherd.
They were poorly picketed, and
have mostly broke free.
Now I am sitting by a small
pond, inhabited by these tiny
strange birds who circle the
shore on long slender legs.
It is very serene.
I believe Ashley has shown strange
signs of interest in me. I am
not sure, but we will see.
My Sense of Place
I suppose I interpret that
as who I am compared to
the land and history. And to
that I answer, “No one.” I have
no significant role in these ancient
mountains, and I am nothing
more than a passerby, a wanderer
in search of something the flats
couldn’t give me down below.
If anything I am a trespasser,
someone in a place where I cannot
truly comprehend what has transpired.
I am not able to fathom the
great processes of the Earth which
made these mountains, nor the
abundance of great deeds, both
wonderful and horrible, that have
been committed here. I am
a stranger, someone who the mountains
have seen, and will see for a long
time. I am man; my goal
should be to live with the
mountains, not to conquer them.
July 30, 2007
I am not completely sure why
but I am quite bitter tonight.
These fools are wearing thin on me.
Loud, disrespectful fools, the whole
obnoxious lot of them. I was
an ass at the time of leader
evaluation but I don’t care.
I am being me, nothing else
can be said.
On a lighter note, today was
somewhat interesting. We went down
a vicious downhill, or three, and
encountered a herd of sheep.
We also saw some old fences
made of ancient logs. It
was quite cool.
Our permanent environment has already
been described, but I feel I
should describe something that
has caught my eye in recent days; wildflowers.
There are an abundance of truly
pretty wildflowers here. Blues,
purples, yellows and even reds
dot the mountainsides. The darkest
blue flowers are like little trumpets,
barely off the ground and staring
up into the sky.
A more purple variation grows among
the rocky slopes. It is much
taller though, with the blossom drooping
towards the earth.
Yellow daisies shower the land,
bringing brightness to the dull
rocks. The most interesting though
are the red, spiky flowers
which appear on the crags.
*Here I attempted to draw an example of the flowers I just described.*
“Do you play those war games?
Like Mario Kart?”
-Zoey
“I’m ok, my positive energy
bubble protected me.”
-Nathan
July 31, 2007
Today was an intense day. We
hiked up a vicious pass without
a trail, and then engaged in
a gender based discussion. We did,
however have an excellent dinner.
Hash browns with awesome pancakes
and honey really made my day.
It finally stormed today, ironically
after we passed back into the
North Uinta’s.
Tomorrow we attempt Tomahama ----,
or something Peak. It is best \
I go to sleep now. v
Tokowana
August 1, 2007
Today I accomplished a major
feat in the Warner Family. I
climbed Tokowana Peak. Not that
that means much, but still. I
am the first Warner to
ascend a peak in the Uinta’s.
It was a frightening climb,
I was honestly scared sometimes.
The rocks were loose and easy
to tumble. It was also a
very high climb, coming in at
around 13,000 feet.
We also saw another moose today,
as well as a very far away
elk, and 4 mule deer who
bounded into the meadow.
I miss meat.
*Here I drew an odd and mostly incoherent doodle of what I can only describe as "pauldrons".*
August 2, 2007
I hate people. I am
suddenly thrust back into the
world, out of my bubble of
natural harmony and silent bliss.
Loud, obnoxious fools. At least me
brigade is more calm than the
other.
I was Leader of the Day
today, Whitney and I. It went
fairly well, although Rebekah almost
got dehydrated.
Something is being forged between
Ashley and I. I am not sure
if it is just time, a compatible
match up, or even if she is attracted
to me as well, but it is
something.
We will see.
Assignments.
-Letter to Self
Topic- Where am I now
-Observation exercise
-30 minutes observe 1x1 foot
plot of ground
-30 minutes observe 10x10 foot
plot of ground
-Sketch and write observations
-Pick Contemplative Readings, respond
via poetry
-Read Conservative Aesthetic
August 5, 2007
I missed 2 days in this
journal, so it shall be especially
long.
Much has transpired since
the last entry, and potentially
wonderful things are taking fold.
The night before last, Ashley
and I were laying in a meadow
stargazing. We talked a little, and
I decided to tell her I liked
her. She then replied she liked me
too. We snuggled close to each other,
and held hands in the night.
The following night, we once
again lay in the open stargazing.
She laid her head on my shoulder,
and confessed some deep secrets.
The only dilemma is that she
is not sure if she wants
to start anything back at Earlham.
I only have 2 options, both
of which I will do. I can
only continue to spend time with
her, to have her like me
enough to do something, and
wait for her. I hate
waiting, but we will see.
I am doing solo now. It
blows. I have been deprived
of my precious knife, and
given a small tarp with
just 2 ropes. My “shelter”
is a disgrace, and food is
meager. Let us hope I survive
the night.
August 6, 2007 Morning
It really is rewarding to
wake up to a sunny morning
after a night of rainy misery.
A major thunderstorm rolled through
at twilight last night, with some
lightning strikes being only 7 seconds
away. It was a little scary,
and very miserable, but I feel
quite accomplished after waking up
okay.
My shelter is better since last
time I wrote in here. It still
has a design flaw I intend to
fix though
*Here I drew a doodle of the state of disarray that my shelter was in.*
Blueberry bagel with honey is
a very welcome breakfast.
At least I can eat all
of my lunch today and not
ration it.
I have come to a realization.
I love my computer, technology,
and video games, but I don’t
really need them. I am occupied,
and enjoying myself, out here in
the wilderness. My games are
simply a quick fix for being
bored. It is a shame Indiana
has nothing better to do.
I miss Ashley. Just sleeping
by her is comforting. I cannot
wait until our next night together.
Hopefully she can’t either.
1x1
Spruce needles of all ages cover
the ground, from the newly
departed orange needle to the
broken grey needle of ancient
times. Small twigs bleached white
by the relentless sun accompany
the needles. Single vibrant green
leaflets thrust themselves up through
the matrix of fallen needles, beginning
a new member to the forest
family. A berry-baring plant dominates
the sparse ground. Small, elliptical
leaves adorn the stems, hiding the
few tiny, green berries each plant
harnesses. The berries are reminiscent
of blueberries, although smaller and
varying in color from green to
burgundy. One particular anonymous
berry plant is a sort of
magenta, my guess being that it
is nearly dead.
Small cays of grass dot
the sea of needles, with
an occasional spired stalk
of seeds shooting towards
the sky. Old, brown cones
lay on the ground, forgotten
by the mother tree which
bore them.
10x10
Three middle-aged spruce dictate
the three corners of my square,
myself being the fourth. Their
lower third branches are like
skeletal fingers, deathly grey and
wisping around anything the ventures
near. A host of small spruce
trees cling to the base of the
southern tree, as a group of frightened
children would a parent.
Two archaic trees lay rotting
between the southern and
western trees. Slender and
straight, these old trunks are
knotted with the broken fragments
of former branches, much like the
spines of forgotten giants.
A single chute of daisy stands
crippled between the rotting spruces.
Slouching greatly, it appears to be
ready to collapse. Its golden disks
are encircled by crumpled white petals,
half of which are missing.
A platoon of half-buried rocks
crown the tips of the broken
trees. A miniature forest of the
unknown berry bushes stand among
the rocks, adding life to an otherwise
dreary graveyard.
An angled rotten stump juts from
the ground next to the dead
trees. Small leafy green plants
encircle it, whereas clumps of
the fallen needles lay in its
hollow.
Two child-trees make up the
border between the western and
northern trees. A circle of rocks
guard the base of the
northern tree, with an old, rotting
stick serving as a gate to
a grove of the berry plants.
My Inspiration
A childhood spent among trees,
Turning over rocks in the Davidson River.
Clambering up mountains on my knees,
Never thinking it would change, ever.
Visits to Indiana’s beech groves,
Grandpa’s unforgettable Jeep rides.
Simple happiness coming in droves,
My love for nature growing before it bides.
Ancient heroes of fact and lore,
Tolkien’s most majestic and Japan’s strongest.
The great swords and feats they bore,
Making saga’s and books the longest.
My failed endeavors with womenfolk,
Hours spent depressed and brooding.
Deception and betrayal of fellow menfolk,
Withdrawal into myself as a selfish hooding.
All of this is my inspiration,
The pathway of my road of words.
Sometimes easy, other times from desperation,
Allowing my soul to take flight with the birds.
August 6, 2007 Afternoon
The sun indeed moves slow in
its arc through the heavens. I
had to eat my banick, I was
hungry and bored. I gave in
and ate my breakfast too
though, so now I will not
eat until lunch tomorrow. Please
let it be a swift coming.
I rested today, for the
most part. It is rather boring
now. I wish to see Ashley
again.
My banick was good and
hearty. I am going to have
to make it, along with
the butter/onion/green pepper pasta
back home.
August 6, 2007 Sunset
I shouldn’t have eaten the
oatmeal. Karma is certainly a bitch.
I’ve read almost everything
entertaining in the reader, and
it is still not time for bed.
This solo has been boring
and unexciting. At least I
was able to dry my
socks today. It’s rambling
time.
I wonder how everything is back
home. I hope everyone is still
together, even Vince and Danika.
I can’t wait until GW:EN
comes out. I’ve gotta beat
NF first though >_<
Omg, SCII… it’s going to
Omg, SCII… it’s going to
be awesome.
Spaghetti
Lee’s Chicken
Clara’s
El Rodeo
BK
Cubed Steak
Mash tatoes
Mac and cheese
Biscuits
Ham sandwhich
Chips
Pretzels
Oats
Pop tarts
Swiss cakes
Mt. Dew
Orange Soda
Coke
Bacon
I want to play AoK
now, and some SC as well.
And Pokemon… gotta level up
team and Rhyperior. I need to
finish Gundam 0079 too.
Man, I miss Harrison. And
Franke. Only had 2 years
with both. Such a shame.
I wonder what Harrison would
think of this. I can just
imagine it.
*What follows is a few pages of random doodles, ranging from cartoons of my Art Teacher to X-wings blowing up pizzas.*
August 9, 2007
Once again I am lacking
persistence on this journal. Yesterday
was our first day of Supervised
Independent Travel. We hiked
over Dead Horse Pass and
then went about 7 miles after
that. We made good time
but were all exhausted. The
day before we hiked to
Dead Horse Lake, supposedly
about 4 miles but tiring
none the less.
Developments have been made
with Ashley. Every night we’ve spent
alone looking up at the stars.
Last night was very intimate, for we
were very close and rubbed our
cheeks, necks, and noses together in
a very tingling and thrilling way.
We decided to be more
casual and get to know
each other more before anything
serious is started. We are
both about to transition to
college and it is probably for
the best. I just hope
this all comes out in my
favor. I definitely feel something
about her. Our time together
is the best, and I’m going
to miss it.
There are two woodpeckers in
the huge, dead spruce next to
me. They are very high up,
and doing their usual drilling duties.
Today we pass through Rocky Sea
Pass, hike about 2-3 miles,
and set up camp. Thankfully
it’ll be easy.
August 10, 2007
I am making pancakes. The
light is fading so this
won’t be long.
People aggravate me. It’s
as simple as that. Most
of the group is playing
some foolish card game
inches away from me as
I slave over our puny
little stove. I am the
scourge of men. Oh well.
I have been committing
a dire mistake. Talking about
Cassandra with Ashley has
been a major mistake. Let
us hope it does not
jeopardize my campaign.
Today we hiked through
a deep gorge that reminded
me of DuPont. It was great.
August 11, 2007
My vision is becoming distorted.
Tonight the brigade decided
to cook and eat all the
food. So much food. I
am on the verge of
vomiting so I won’t
repeat the list now.
Most of today was crap.
I awoke with a sore
throat and in a bitter mood.
It wasn’t until the evening
when Ashley asked what was
wrong that I felt better.
The campaign seems fine.
Let us hope it is.
Tomorrows the last
day of hiking, and it
is our longest day, coming
in at about 11 miles. Let
us hope it goes fine.
Well I just threw up.
Not too much, but
enough. First time in
my life that I’ve eaten
so much I had to
vomit. So here goes…
Thick cinnamon bread
Thick vegetable/lintels/noodles/
mash potato soup x 5 scoops
Rice w/marinara sauce
Half bowl of thick
mash potatoes
One large slice of
cinnamon bread and
other half of mash
potatoes saved.
Vomit on the ground.
*Here I doodled the side of a hill across the lake from me, its image something I can recall to this day.*
August 13, 2007
The mountains stand crowning us,
totems of feats of endurance,
cooperation, and aspiration.
Yesterday was our last day
of hiking. The slight downhill and
easy terrain made it an easy
day. We arrived in camp about
10 minutes before the Other Brigade.
Nathan arrived with bags of
spaghetti noodles and cans of
Prego, and it was splendid. 4
hefty scoops of pasta beat most
people.
I showered last night. It
was a very welcomed experience.
I lacked soap, but still got
efficiently clean.
The campaign is sufficient.
More time is needed.
This morning we had cereal.
Two percent milk! Lucky Charms
off-brand! Jubilations! Lunch
will probably be lunch meat,
and dinner is a bloody COOKOUT!
Huzzah!
Where I am Going
I’m going to college. Moreso,
I’m going nowhere. I am staying
home, maintaining my way of
life, adding that of “higher
learning.” I am a scholar. A
scholar who just hiked like
63.8 miles or something over
the span of 3 weeks with
a 70 lb. pack on my back.
I suppose I am on the
last leg of the first third
of my life. After this session
of scheduled learning I am
going to transition to a life
that I fully control. Eerie
as it is, it is somewhat
exciting.
The blade is cleansed in
holy water, arcing in the
sky to punish not the man,
but the evil which resides within him.
*What follows is a series of statements from everyone in my group, written on our final day together.*
Brock
His spirit; even when he’s in a bad
mood, he won’t let it show or spread
You had pretty interesting
stories with the tree
cutting experience
You always make good points when
you talk, and always are willing
to inspire a discussion.
Brock - It was really nice to
have someone to talk to about
North Carolina. Your leadership skills
are a hidden gem that should be
used more often!
You are very quiet, but when you speak
your point is always worth listening to.
At first you were very
reserved but once you opened up
you were great fun. You were
definitely a staple to the group.
I appreciate your growth and development
on the trip. You have a lot to say…
Keep saying it.
I like your quiet sense of
patience and your insightful
perceptions.
I liked that your another person whose a
little shy but unwilling to put up with
a lot of the bullshit. Your very much
your own person which I think is
great.
I’m glad another somewhat out-of-shape, lanky
gamer went on this trip. It helped
to know someone else was in the same
boat as me.
Hey Brock,
You were a pleasure
to have on this trip. Even though
at times you may have thought you were
being negative and pessimistic I could see
you having a great time and really taking in all
the Uintas have to offer. I hope you enjoy
Earlham and take advantage of all it has to
offer to! P.S. – thanks for making me smile : )
Thanks for stepping
up – you’re a good
leader when you give
yourself the chance, and
I hope you continue to
take those chances.
Monday, February 28, 2011
This Train!
There are two good things about the Midwest: it's a hell of a lot greener than the far West, and the sunsets are more often than not beautiful. Perched on the slick metal roof of the creaking boxcar, I watched as golden-green fields passed beneath me. The beautiful red-pink that comes off of low clouds when the sun sinks lit up the western sky as the train rumbled eastward, rolling along hard old, barely used rails set decades before me. Across my lap sat a weathered and beaten old guitar that I picked up a long time ago. Keeping the damned thing strung and playable was almost more of a chore than it was worth, but the determination it gave me to keep going was more valuable to me than most things. Picking it up, I gently fingered the strings. I wasn't much of a player, but I could strum out some simple melodies.
"This train is bound for glory, this train!" I shouted as the cars bumped over a crossing.
"This train is bound for glory, this train!"
A nasty bump in the rails sent a bounce through me and my belongings on top of the boxcar. The dirty gallon jug of water I've hauled all across this country shifted and began to slide off the roof. Reaching out, I grabbed onto the ragged twine tied around the neck of the jug and pulled it up. Placing it safely behind me, I rested my back on the jug, and laid my small canvas sack in my lap. All I had was in this tiny sack. A pocketknife, a few grimy harmonicas, and at the moment a couple of apples past their prime. From time to time, I was able to stow some spare food in it. My stomach grumbled quietly as I watched the last of the sun sink below the distant tree line.
'I'm going to have to get off on the next stop,' I thought, rubbing my stomach.
Twilight gradually settled in as we bumped along down the line. Craning my neck around, I looked eastward and saw dim lights in the distance. Coming up to a town. The train abruptly cut left, as we shifted onto a receiving stretch of rail. The ear splitting squeal of metal on metal sounded as the brakes gradually slowed the colossal snake of steel. Stepping up, I steadied myself before slinging the guitar over my back. Hauling up my canvas sack and jug of water, I slipped down the ladder on the side of the car, and jumped off. Bolting into some trees, I watched as the cars crept into a train yard. Bidding farewell to my carrier, I slunk back into the underbrush, and made my way for the closest road.
Crickets and cicadas heralded my march along a small road stretching through a pair of soybean fields. My dirty, worn boots padded my feet against the gravely pavement as I plodded along. Squinting ahead, I saw a strange figure on the road. After a few more moments, I realized it was someone on a bicycle. As they neared I saw it was a young girl, probably around my age, on a bicycle. The closer she got, the more I tried to not stare. She was pretty! When she got close to passing me, I looked up, and smiled as I waved. A wide grin greeted me as she waved with her hand on the handlebar, and she whipped by me. Gone.
'The pretty ones are always the ones going the other way,' I thought to myself with a sigh.
Continuing along, I became weary. I had gotten off too early. It was hard to judge sometimes how close a train yard was to any real civilization. It was definitely always way too risky to try riding the train straight into the yard. I'd been beaten too many times to repeat that mistake. Still, my feet were beginning to hurt, and it was getting dark. The last splashes of light on the western horizon were ebbing from view as lightning bugs began to ignite around me. A few minutes later, I heard the familiar sound of rolling rubber directly behind me.
"So where ya going?"
Jumping from surprise, I looked back to see the bicycle girl smiling brightly as she casually coasted behind me. A small, white plastic bag hung from the side of the handlebars. She had a nice smile.
"Nowhere in particular," I answered. My mind began to muddle as it raced nervously. "What about you?"
"I'm just heading back home. Had to get something at the store." She stepped off the bike and started pushing it next to her. "Where ya from?"
"Nowhere in particular," I said, smiling. She giggled and looked up at me with a grin in her eyes. Something about this girl... "Okay, you got me. I'm from down south, a little town in Tennessee that you've never heard of."
"Really? You don't have much of an accent."
"I grew up in a lot of places. I guess none of the accents ever really stuck."
"Or maybe they all combined into what you have now." She was funny.
"Yeah, maybe," I laughed.
"So seriously, where are you going?" she asked. She shifted to just one hand on the bike.
"Trying to find some food I guess. I'll be getting real hungry soon. And a dry place to sleep. Hopefully warm. Hopefully soft," I replied in a serious tone. My eyes settled onto the crummy pavement beneath my feet. After a few moments I looked up and back at her. She grinned briefly, and her eyes flashed. Even in the dim light I could tell they were a warm brown.
"Um, well," she began, "If you want, you can get something to eat at my house. I was just about to make something for dinner."
I didn't say anything immediately. I had been offered my fair share of free meals from people, pretty young girls or not. Most of the pretty young girl meals did not start well. More did not even start. I smiled quickly, and stopped.
"I don't really want to, uh... interfere with your family or anything."
"Oh, it's just me," she said with a cute smile. Her eyes darted around until they finally settled on me. "I live by myself."
"Oh. Well then, I guess I can't say no!"
About another mile down the road we came to where she lived. It was a small, white house nestled between two large fields of tall corn. There was no car in the weed-filled driveway. As my boots crunched on the white gravel, I looked at the overgrown yard.
"Don't mow much?"
"No, I don't really believe in it. I think it's dumb to keep cutting the grass, instead of just letting it grow. I think it's prettier that way."
I let a faint smile creep to my lips. I'd always begrudgingly held the same sentiment, when I was still at home and was asked to mow the yard. I looked down and noticed she wasn't wearing any shoes.
"You ride your bike barefoot?"
"Yeah, it feels better that way. It hurts a little, but I like the feeling of the air on my toes."
She opened the aged wooden door, and led her bike inside, the handlebars brushing against some of the chipping white paint. I stepped inside after her. The doorway led to a very small kitchen, the pale yellow walls lined by the entirety of a small stove and a sink. The dank kitchen opened into a small living room, which opened to three other rooms, doors ajar. A bathroom, and two bedrooms from the looks of it. Two bicycles leaned against the walls of the living room, old road bikes, much like the bike she was now laying against the wall. She spun around, and clapped her hands with an embarrassed giggle.
"Sorry, it's a little messy. You can put your stuff down on the couch if you want," she said, motioning to an old, lime green couch. I nodded, and placed my guitar and sack on the couch. Dropping my water jug on the floor next to the couch, I untied my boots, and stepped onto the dingy brown shag carpet.
"Man, talk about the seventies, huh," I joked.
"Yeah, I know it's awful." She smiled again. That smile was growing on me.
"It's fine, I like old stuff."
"Uh, you can shower if you'd like. It looks like it's been a while since your last bath."
"Yeah, there was a thunderstorm in Iowa a few days ago." It was a weak, short-lived storm, a swiftly moving line of rain that doused me from atop another boxcar. Can't say the top of a boxcar was my favorite place to be in a thunderstorm.
"Well, I'll start on the food then."
Stepping into the bathroom, the strangeness of the situation I found myself in finally hit me. An hour ago, I was walking along a lonely road with not a thought concerning another person in my head. Now, I was about to shower in a strange girl's bathroom as she cooked me dinner. A cute, strange girl of course. I peeled off my thinning tee-shirt, and the dirt-infused blue jeans. I just had to remember to keep my distance, no matter how adorable she seems. I had no intention of getting involved with any girl, not yet anyways.
The soothing water of a hot shower is always a welcomed experience. Sweat encased dirt ran down my legs, and swirled down the drain. I savored the opportunity, running my fingers through my greasy hair. A heated bath was hard to come by riding freight trains.
Turning off the water after an adequate cleansing, I drew the shower curtain back. Where my traveling clothes had lain on the floor were clean, neatly folded, unfamiliar clothes. Picking them up, I saw they were similar to what I had, but were clearly not mine. Slipping them on, I was surprised to find they fit. I walked out into the living room, drying off my hair, and trying to not look too awkward to my gracious host.
"I hope you don't mind, I slipped some clean clothes in while you were showering," she said, looking up from the stove.
"I didn't hear you come in. Thanks though," I said, adjusting the collar to the shirt. "I'm surprised you had clothes to fit me."
"You looked about the same size as my brother, and some of his old clothes were lying around."
"Convenient. So what's on the spit?"
"I hope you don't mind hamburgers."
"Sounds and smells a lot better than dumpster burgers." She made a face.
"You eat out of dumpsters?"
"You'd be surprised what super markets throw away. A lot of it is still good to eat," I explained. The look of growing disgust did not leave her face. "Can't say I've ever eaten meat out of a dumpster though."
"Well, this may not be the best meat, but it should be pretty good."
I walked over to the small dining table on the edge of the kitchen's linoleum and sat down. In a few moments the burgers were done, and I was able to once again enjoy hot, juicy meat. It tasted good, real good. We ate in silence, as I ravenously devoured the three small hamburgers, and downed the can of Coke she offered me. She slowly and somewhat timidly ate her meal, her eyes occasionally darting up to spy on me. When I finished, I excused myself and went to sit on the couch, letting the dinner settle. I looked around the small living room, noting the lack of any real decoration. My scanning eyes finally fell on an unassuming cabinet, set into the far corner of the room.
"What's that?" I asked, pointing.
"Oh, that's the record player. The vinyl's in the bottom. You can look through them if you want," she said between bites.
"You have a turntable? That's cool," I muttered as I got up and walked over to the cabinet. Opening the door, I pulled out a large stack of LPs. I didn't recognize the top few, but after a short while I uncovered a picture of a young man in a blue and pink jacket, staring up at me with folded sunglasses in his hand.
"Sweet! You have Highway 61 Revisited?" I exclaimed. I heard her laugh as she stood up from the table.
"Yeah, you like Dylan?"
"Heck yeah I do. It's been so long since I've heard him. Do you mind?" I asked, motioning to the turntable.
"Not at all, please do." She put the dishes into the small sink and turned on the water to wash them.
"Oh crap, I'm sorry. I'll get my dishes, it's not often I eat with others," I said quickly, standing up. I had been a poor guest!
"No it's fine, you're tired." I reluctantly sat back down, weary of my rudeness, but obeying none the less.
I slid the record onto the table, and turned it on. Carefully placing the needle on the edge, the hiss and crack of the grooves sounded as I went back to the couch and sat down. The kick drum hit, and the song began.
Once upon a time you dressed so fine
You threw the bums a dime in your prime, didn’t you?
People’d call, say, “Beware doll, you’re bound to fall”
You thought they were all kiddin’ you
You used to laugh about
Everybody that was hangin’ out
Now you don’t talk so loud
Now you don’t seem so proud
About having to be scrounging for your next meal.
I closed my eyes as the music filled my mind, my head slightly nodding to the beat. I relished this stuff. Suddenly I felt the couch move, and opened my eyes as the girl sat down next to me. My heart rate quickened.
"So what's your name anyways?"
"My name's Lake. Lake Williams." Her eyes lit up.
"Oh my gosh, that is such a cool name! Lake? Was there a reason your parents gave you that name?" she asked excitedly.
"It's an old family name. My great grandfather's name was Lake, and his father's middle name was Lake. I guess when my mom found that out, she just had to name her first kid Lake."
"Wow, that is so cool. My name's Johanna. I guess my mom just liked it when I was born."
"Johanna?" I repeated the name and grinned. "I like it. Well, I'm glad to have met you Johanna. And thank you for the delicious meal." She smiled sheepishly.
"It's no problem. Thanks for eating it with me," she said quietly.
You never turned around to see the frowns on the jugglers and the clowns
When they all come down and did tricks for you.
"So, seriously, what are you doing? Why were you just walking down the road?" she asked.
"Just trying to get into town." She eyed me with a growing smile.
"I think there's more to it than that. I've never seen you before, and I think I'd recognize a guitar carrying hobo."
"Whoa now! I'm not a hobo. Hobos travel for work!" I retorted jokingly. She laughed. I sat quietly for a few moments contemplating if I should tell her or not. Her smile slowly faded as her eyes studied me more intensely.
"Are you alright?" I asked. She laughed nervously.
I guess I should go for it.
"I rode a train into town, and hopped off right before it got into the trainyard," I explained. Her smile came back.
"Oh, I didn't know we still had passenger trains coming in." I stopped her with a wave of my hand.
"No, I rode a freight train in. Stowed away, on the roof. I guess you can call me a hobo if you want, but I honestly don't fall into the exact definition. I've been riding the rails across this country, back and forth, a few times now." She was silent.
"I just go from town to town, eating when I can, sleeping when I need to, drinking when I'm dry and seeing the countryside."
"Are you homeless?" I got this question a lot.
"Yes and no. I'm homeless in how I'm living my life, but I have a home to go back to. I think."
"You think?"
"I left home after a few years of college. I packed some clothes and food into a backpack and just walked down the street and away from it all. College pissed me off. My life was pissing me off. Something in me just said to go live my life the way I wanted to. And I did." She looked down at her hands for a while. I knew I had overwhelmed her. Not many were comfortable when they heard that. It shook them up.
How does it feel
How does it feel
To be on your own
With no direction home
Like a complete unknown
Like a rolling stone?
I shifted my weight to get up, but I felt her hand fall on mine.
"I think it's really cool." I was a bit taken aback. Like I said, not many liked it when I told them that.
"What?"
"Doing what you want, taking charge of your life," she paused, "even when it's scary. I really respect that." She smiled. I didn't know what to say.
"Um, thanks. I wasn't really expecting that. A lot of people tell me I'm a fool when I tell them that."
"Ah, fuck 'em!" We both laughed.
"Sometimes I wish I could do that," she mumbled as she looked off into the distance, out the window. Her hand stayed on mine. I flexed the muscles in my hand.
"Not to be rude, but I'm really tired. I'd better head out to find a place to sleep." She looked back at me.
"You can sleep here! I'd be happy to let you sleep here, for as long as you'd like. Consider me your host." I grinned and nodded my head.
"Well, I thank you for that. That takes a load off my shoulders."
We talked a little bit more, and eventually just sat and listened to side one of the album to finish. The eerie "Ballad of a Thin Man" finished, and the needle hissed and cracked one last time before the turntable switched off. She gave me a light blanket and a pillow, and I stretched out on the couch. It was a comfortable change from boxcar roofs and damp wood. I drifted into sleep and dreamt that night. They were good dreams, but I can't remember what they were.
Late that night, a door creaked open and Johanna quietly padded out into the living room. She was wearing a faded blue night gown, which fluttered in the soft breeze from the open window. Stopping in front of Lake, she knelt down to her knees next to him and looked at his face in the sparse light. He had strong features. He seemed strong. She raised her hand to stroke his hair, but stopped. She remembered who she was, and who he was. Stepping up, she slipped back into her room just as quietly as she'd entered, and closed the door.
The sun was still drying the nightly dew from the grass and leaves when I slipped out the door of Johanna's house. I was wearing my old clothes, leaving her generous offerings neatly folded on the couch, next to the pillow and blanket. It was harder than I expected, walking down the white graveled driveway. A tremenduous tugging on my chest made each step more difficult than the last. It's not easy walking away from a smiling and laughing girl, especially one so... free-spirited. I could tell deep down my story of restlessness stirred her, made parts of her wake up and look around questioningly.
But I couldn't do that to her. This was a tough life, a road of hard traveling. She wouldn't like it after a day or so. Right?
Birds flitted from branch to branch in the small woods stretching alongside the road next to me. Their chirps brought life to the morning. Insects swarmed under the leaves, drifting around my face and landing on my head. I swatted as them as I stepped more quickly.
She'd miss her house.
"Where do you think you're going!"
I spun around to see Johanna speeding up to me on her bike. Stretching her left leg over the back wheel, she coasted up to me before hopping off the bike, skidding to a stop right in front of me. Breathing heavily she looked up at me with questions in her eyes.
"Why'd you leave?" she asked between breathes. My heart about split in half right there. Her eyes weighed heavily on me. I looked away.
"I, uh..." I searched for words I didn't really have. I closed my mouth, and just looked down at her.
"It's har--" I started.
"I want to come with you," she said. Something deep in me clicked open, a small bit of the weight lifting off my chest. It was a guilty relief.
"It's not easy. Vagrancy isn't exactly thought highly of among people," I explained. I had to let her know first. She had to know what she was getting into.
"I don't care. I want to come with you," she repeated, stepping forward. She reached out with her hand and placed it on my arm. "There's something different about you. I want to see what it is."
I stood quietly as my mind raced. It would be nice to have a companion, especially such a... likeable one. But it'd be twice as hard to hide, would take twice as much food and water. But, she can carry her own weight. If she couldn't take it, I'll make sure to get her back home. I owe her that much. We'll hoof it on foot at first, so we don't get too far away. It's rougher that way too. If she can take that, she'll be fine.
"You're going to have to wear shoes," I said with a smile. Her face ignited into her biggest grin yet, and she leapt forward, thrusting her arms out around my neck as she hugged me tightly.
She was warm.
"This train is bound for glory, this train!" I shouted as the cars bumped over a crossing.
"This train is bound for glory, this train!"
A nasty bump in the rails sent a bounce through me and my belongings on top of the boxcar. The dirty gallon jug of water I've hauled all across this country shifted and began to slide off the roof. Reaching out, I grabbed onto the ragged twine tied around the neck of the jug and pulled it up. Placing it safely behind me, I rested my back on the jug, and laid my small canvas sack in my lap. All I had was in this tiny sack. A pocketknife, a few grimy harmonicas, and at the moment a couple of apples past their prime. From time to time, I was able to stow some spare food in it. My stomach grumbled quietly as I watched the last of the sun sink below the distant tree line.
'I'm going to have to get off on the next stop,' I thought, rubbing my stomach.
Twilight gradually settled in as we bumped along down the line. Craning my neck around, I looked eastward and saw dim lights in the distance. Coming up to a town. The train abruptly cut left, as we shifted onto a receiving stretch of rail. The ear splitting squeal of metal on metal sounded as the brakes gradually slowed the colossal snake of steel. Stepping up, I steadied myself before slinging the guitar over my back. Hauling up my canvas sack and jug of water, I slipped down the ladder on the side of the car, and jumped off. Bolting into some trees, I watched as the cars crept into a train yard. Bidding farewell to my carrier, I slunk back into the underbrush, and made my way for the closest road.
Crickets and cicadas heralded my march along a small road stretching through a pair of soybean fields. My dirty, worn boots padded my feet against the gravely pavement as I plodded along. Squinting ahead, I saw a strange figure on the road. After a few more moments, I realized it was someone on a bicycle. As they neared I saw it was a young girl, probably around my age, on a bicycle. The closer she got, the more I tried to not stare. She was pretty! When she got close to passing me, I looked up, and smiled as I waved. A wide grin greeted me as she waved with her hand on the handlebar, and she whipped by me. Gone.
'The pretty ones are always the ones going the other way,' I thought to myself with a sigh.
Continuing along, I became weary. I had gotten off too early. It was hard to judge sometimes how close a train yard was to any real civilization. It was definitely always way too risky to try riding the train straight into the yard. I'd been beaten too many times to repeat that mistake. Still, my feet were beginning to hurt, and it was getting dark. The last splashes of light on the western horizon were ebbing from view as lightning bugs began to ignite around me. A few minutes later, I heard the familiar sound of rolling rubber directly behind me.
"So where ya going?"
Jumping from surprise, I looked back to see the bicycle girl smiling brightly as she casually coasted behind me. A small, white plastic bag hung from the side of the handlebars. She had a nice smile.
"Nowhere in particular," I answered. My mind began to muddle as it raced nervously. "What about you?"
"I'm just heading back home. Had to get something at the store." She stepped off the bike and started pushing it next to her. "Where ya from?"
"Nowhere in particular," I said, smiling. She giggled and looked up at me with a grin in her eyes. Something about this girl... "Okay, you got me. I'm from down south, a little town in Tennessee that you've never heard of."
"Really? You don't have much of an accent."
"I grew up in a lot of places. I guess none of the accents ever really stuck."
"Or maybe they all combined into what you have now." She was funny.
"Yeah, maybe," I laughed.
"So seriously, where are you going?" she asked. She shifted to just one hand on the bike.
"Trying to find some food I guess. I'll be getting real hungry soon. And a dry place to sleep. Hopefully warm. Hopefully soft," I replied in a serious tone. My eyes settled onto the crummy pavement beneath my feet. After a few moments I looked up and back at her. She grinned briefly, and her eyes flashed. Even in the dim light I could tell they were a warm brown.
"Um, well," she began, "If you want, you can get something to eat at my house. I was just about to make something for dinner."
I didn't say anything immediately. I had been offered my fair share of free meals from people, pretty young girls or not. Most of the pretty young girl meals did not start well. More did not even start. I smiled quickly, and stopped.
"I don't really want to, uh... interfere with your family or anything."
"Oh, it's just me," she said with a cute smile. Her eyes darted around until they finally settled on me. "I live by myself."
"Oh. Well then, I guess I can't say no!"
About another mile down the road we came to where she lived. It was a small, white house nestled between two large fields of tall corn. There was no car in the weed-filled driveway. As my boots crunched on the white gravel, I looked at the overgrown yard.
"Don't mow much?"
"No, I don't really believe in it. I think it's dumb to keep cutting the grass, instead of just letting it grow. I think it's prettier that way."
I let a faint smile creep to my lips. I'd always begrudgingly held the same sentiment, when I was still at home and was asked to mow the yard. I looked down and noticed she wasn't wearing any shoes.
"You ride your bike barefoot?"
"Yeah, it feels better that way. It hurts a little, but I like the feeling of the air on my toes."
She opened the aged wooden door, and led her bike inside, the handlebars brushing against some of the chipping white paint. I stepped inside after her. The doorway led to a very small kitchen, the pale yellow walls lined by the entirety of a small stove and a sink. The dank kitchen opened into a small living room, which opened to three other rooms, doors ajar. A bathroom, and two bedrooms from the looks of it. Two bicycles leaned against the walls of the living room, old road bikes, much like the bike she was now laying against the wall. She spun around, and clapped her hands with an embarrassed giggle.
"Sorry, it's a little messy. You can put your stuff down on the couch if you want," she said, motioning to an old, lime green couch. I nodded, and placed my guitar and sack on the couch. Dropping my water jug on the floor next to the couch, I untied my boots, and stepped onto the dingy brown shag carpet.
"Man, talk about the seventies, huh," I joked.
"Yeah, I know it's awful." She smiled again. That smile was growing on me.
"It's fine, I like old stuff."
"Uh, you can shower if you'd like. It looks like it's been a while since your last bath."
"Yeah, there was a thunderstorm in Iowa a few days ago." It was a weak, short-lived storm, a swiftly moving line of rain that doused me from atop another boxcar. Can't say the top of a boxcar was my favorite place to be in a thunderstorm.
"Well, I'll start on the food then."
Stepping into the bathroom, the strangeness of the situation I found myself in finally hit me. An hour ago, I was walking along a lonely road with not a thought concerning another person in my head. Now, I was about to shower in a strange girl's bathroom as she cooked me dinner. A cute, strange girl of course. I peeled off my thinning tee-shirt, and the dirt-infused blue jeans. I just had to remember to keep my distance, no matter how adorable she seems. I had no intention of getting involved with any girl, not yet anyways.
The soothing water of a hot shower is always a welcomed experience. Sweat encased dirt ran down my legs, and swirled down the drain. I savored the opportunity, running my fingers through my greasy hair. A heated bath was hard to come by riding freight trains.
Turning off the water after an adequate cleansing, I drew the shower curtain back. Where my traveling clothes had lain on the floor were clean, neatly folded, unfamiliar clothes. Picking them up, I saw they were similar to what I had, but were clearly not mine. Slipping them on, I was surprised to find they fit. I walked out into the living room, drying off my hair, and trying to not look too awkward to my gracious host.
"I hope you don't mind, I slipped some clean clothes in while you were showering," she said, looking up from the stove.
"I didn't hear you come in. Thanks though," I said, adjusting the collar to the shirt. "I'm surprised you had clothes to fit me."
"You looked about the same size as my brother, and some of his old clothes were lying around."
"Convenient. So what's on the spit?"
"I hope you don't mind hamburgers."
"Sounds and smells a lot better than dumpster burgers." She made a face.
"You eat out of dumpsters?"
"You'd be surprised what super markets throw away. A lot of it is still good to eat," I explained. The look of growing disgust did not leave her face. "Can't say I've ever eaten meat out of a dumpster though."
"Well, this may not be the best meat, but it should be pretty good."
I walked over to the small dining table on the edge of the kitchen's linoleum and sat down. In a few moments the burgers were done, and I was able to once again enjoy hot, juicy meat. It tasted good, real good. We ate in silence, as I ravenously devoured the three small hamburgers, and downed the can of Coke she offered me. She slowly and somewhat timidly ate her meal, her eyes occasionally darting up to spy on me. When I finished, I excused myself and went to sit on the couch, letting the dinner settle. I looked around the small living room, noting the lack of any real decoration. My scanning eyes finally fell on an unassuming cabinet, set into the far corner of the room.
"What's that?" I asked, pointing.
"Oh, that's the record player. The vinyl's in the bottom. You can look through them if you want," she said between bites.
"You have a turntable? That's cool," I muttered as I got up and walked over to the cabinet. Opening the door, I pulled out a large stack of LPs. I didn't recognize the top few, but after a short while I uncovered a picture of a young man in a blue and pink jacket, staring up at me with folded sunglasses in his hand.
"Sweet! You have Highway 61 Revisited?" I exclaimed. I heard her laugh as she stood up from the table.
"Yeah, you like Dylan?"
"Heck yeah I do. It's been so long since I've heard him. Do you mind?" I asked, motioning to the turntable.
"Not at all, please do." She put the dishes into the small sink and turned on the water to wash them.
"Oh crap, I'm sorry. I'll get my dishes, it's not often I eat with others," I said quickly, standing up. I had been a poor guest!
"No it's fine, you're tired." I reluctantly sat back down, weary of my rudeness, but obeying none the less.
I slid the record onto the table, and turned it on. Carefully placing the needle on the edge, the hiss and crack of the grooves sounded as I went back to the couch and sat down. The kick drum hit, and the song began.
Once upon a time you dressed so fine
You threw the bums a dime in your prime, didn’t you?
People’d call, say, “Beware doll, you’re bound to fall”
You thought they were all kiddin’ you
You used to laugh about
Everybody that was hangin’ out
Now you don’t talk so loud
Now you don’t seem so proud
About having to be scrounging for your next meal.
I closed my eyes as the music filled my mind, my head slightly nodding to the beat. I relished this stuff. Suddenly I felt the couch move, and opened my eyes as the girl sat down next to me. My heart rate quickened.
"So what's your name anyways?"
"My name's Lake. Lake Williams." Her eyes lit up.
"Oh my gosh, that is such a cool name! Lake? Was there a reason your parents gave you that name?" she asked excitedly.
"It's an old family name. My great grandfather's name was Lake, and his father's middle name was Lake. I guess when my mom found that out, she just had to name her first kid Lake."
"Wow, that is so cool. My name's Johanna. I guess my mom just liked it when I was born."
"Johanna?" I repeated the name and grinned. "I like it. Well, I'm glad to have met you Johanna. And thank you for the delicious meal." She smiled sheepishly.
"It's no problem. Thanks for eating it with me," she said quietly.
You never turned around to see the frowns on the jugglers and the clowns
When they all come down and did tricks for you.
"So, seriously, what are you doing? Why were you just walking down the road?" she asked.
"Just trying to get into town." She eyed me with a growing smile.
"I think there's more to it than that. I've never seen you before, and I think I'd recognize a guitar carrying hobo."
"Whoa now! I'm not a hobo. Hobos travel for work!" I retorted jokingly. She laughed. I sat quietly for a few moments contemplating if I should tell her or not. Her smile slowly faded as her eyes studied me more intensely.
"Are you alright?" I asked. She laughed nervously.
I guess I should go for it.
"I rode a train into town, and hopped off right before it got into the trainyard," I explained. Her smile came back.
"Oh, I didn't know we still had passenger trains coming in." I stopped her with a wave of my hand.
"No, I rode a freight train in. Stowed away, on the roof. I guess you can call me a hobo if you want, but I honestly don't fall into the exact definition. I've been riding the rails across this country, back and forth, a few times now." She was silent.
"I just go from town to town, eating when I can, sleeping when I need to, drinking when I'm dry and seeing the countryside."
"Are you homeless?" I got this question a lot.
"Yes and no. I'm homeless in how I'm living my life, but I have a home to go back to. I think."
"You think?"
"I left home after a few years of college. I packed some clothes and food into a backpack and just walked down the street and away from it all. College pissed me off. My life was pissing me off. Something in me just said to go live my life the way I wanted to. And I did." She looked down at her hands for a while. I knew I had overwhelmed her. Not many were comfortable when they heard that. It shook them up.
How does it feel
How does it feel
To be on your own
With no direction home
Like a complete unknown
Like a rolling stone?
I shifted my weight to get up, but I felt her hand fall on mine.
"I think it's really cool." I was a bit taken aback. Like I said, not many liked it when I told them that.
"What?"
"Doing what you want, taking charge of your life," she paused, "even when it's scary. I really respect that." She smiled. I didn't know what to say.
"Um, thanks. I wasn't really expecting that. A lot of people tell me I'm a fool when I tell them that."
"Ah, fuck 'em!" We both laughed.
"Sometimes I wish I could do that," she mumbled as she looked off into the distance, out the window. Her hand stayed on mine. I flexed the muscles in my hand.
"Not to be rude, but I'm really tired. I'd better head out to find a place to sleep." She looked back at me.
"You can sleep here! I'd be happy to let you sleep here, for as long as you'd like. Consider me your host." I grinned and nodded my head.
"Well, I thank you for that. That takes a load off my shoulders."
We talked a little bit more, and eventually just sat and listened to side one of the album to finish. The eerie "Ballad of a Thin Man" finished, and the needle hissed and cracked one last time before the turntable switched off. She gave me a light blanket and a pillow, and I stretched out on the couch. It was a comfortable change from boxcar roofs and damp wood. I drifted into sleep and dreamt that night. They were good dreams, but I can't remember what they were.
***
Late that night, a door creaked open and Johanna quietly padded out into the living room. She was wearing a faded blue night gown, which fluttered in the soft breeze from the open window. Stopping in front of Lake, she knelt down to her knees next to him and looked at his face in the sparse light. He had strong features. He seemed strong. She raised her hand to stroke his hair, but stopped. She remembered who she was, and who he was. Stepping up, she slipped back into her room just as quietly as she'd entered, and closed the door.
***
The sun was still drying the nightly dew from the grass and leaves when I slipped out the door of Johanna's house. I was wearing my old clothes, leaving her generous offerings neatly folded on the couch, next to the pillow and blanket. It was harder than I expected, walking down the white graveled driveway. A tremenduous tugging on my chest made each step more difficult than the last. It's not easy walking away from a smiling and laughing girl, especially one so... free-spirited. I could tell deep down my story of restlessness stirred her, made parts of her wake up and look around questioningly.
But I couldn't do that to her. This was a tough life, a road of hard traveling. She wouldn't like it after a day or so. Right?
Birds flitted from branch to branch in the small woods stretching alongside the road next to me. Their chirps brought life to the morning. Insects swarmed under the leaves, drifting around my face and landing on my head. I swatted as them as I stepped more quickly.
She'd miss her house.
"Where do you think you're going!"
I spun around to see Johanna speeding up to me on her bike. Stretching her left leg over the back wheel, she coasted up to me before hopping off the bike, skidding to a stop right in front of me. Breathing heavily she looked up at me with questions in her eyes.
"Why'd you leave?" she asked between breathes. My heart about split in half right there. Her eyes weighed heavily on me. I looked away.
"I, uh..." I searched for words I didn't really have. I closed my mouth, and just looked down at her.
"It's har--" I started.
"I want to come with you," she said. Something deep in me clicked open, a small bit of the weight lifting off my chest. It was a guilty relief.
"It's not easy. Vagrancy isn't exactly thought highly of among people," I explained. I had to let her know first. She had to know what she was getting into.
"I don't care. I want to come with you," she repeated, stepping forward. She reached out with her hand and placed it on my arm. "There's something different about you. I want to see what it is."
I stood quietly as my mind raced. It would be nice to have a companion, especially such a... likeable one. But it'd be twice as hard to hide, would take twice as much food and water. But, she can carry her own weight. If she couldn't take it, I'll make sure to get her back home. I owe her that much. We'll hoof it on foot at first, so we don't get too far away. It's rougher that way too. If she can take that, she'll be fine.
"You're going to have to wear shoes," I said with a smile. Her face ignited into her biggest grin yet, and she leapt forward, thrusting her arms out around my neck as she hugged me tightly.
She was warm.
Tuesday, February 22, 2011
Lay Down Your Weary Mind
To those who know me, it's a well known fact that I do not agree with the structure of the education system that young people find themselves in now. My attempts at a college education have left me angry and frenzied at an anachronism that is souring our world. It is true that my college experience has been far from ideal, and I recognize that has made an ample contribution to my view of this, but I feel it just helps me see things as they are. The dancer has misstepped, and showed me that they were not as practiced as they let on.
The first blunder I see is the direction our society is stepping into. The idea that someone is only successful if they go to college is becoming more and more ingrained in the mind of the average person. Young people are conditioned to immediately judge someone depending on whether or not they attended or are attending college. It is not uncommon for someone to look down on a friend who doesn't further their education after high school. I myself have done it. And then I was the friend not furthering my education. It is a two way street, and I've been down both directions. I am not sure who is to blame for this, other than everyone. Parents, teachers, peers, strangers in the world, all of them cast judgment on us on whether or not we're college educated.
So what do we expect from those who are college educated? They're supposed to be smart, well-read, well-written, able to apply what they learned during their "important" four years into the real world, and perhaps the largest expectation is that they are to be wild. Partying, rampant drinking, promiscuity, experimentation with drugs, and "getting it out of the system" are all hidden expectations for college students, expectations that are met far more often than the previous, more "upright" expectations dealing with academic achievement. But I'm not going to attack the moral ambiguity of these activities. I know that's a lost battle, and I don't care what people do on their own time.
What then is expected of those who don't go to college? Generally, it's that they won't amount to anything, that they are dumb, lack ambition, and are doomed to low-income, bottom of the barrel jobs. McDonalds, Wal-Mart, and gas stations are some of the places we expect these people to work at. They couldn't get into an expensive institution that houses excessive recklessness, so why should they amount to anything?
The discrepancy is in what we expect from those who do go to college and those who don't. College-educated people can hit rock bottom and do nothing with their lives just as much as someone who doesn't go to a school. Those who don't go to college can become incredibly successful, both financially and emotionally. The only real difference is the slip of paper you get after four years that said you put up with bullshit for those four years. Employers look at that paper and think "Here's someone who can be pushed around and conditioned to think whatever we want. Let's hire 'em!"
What we need is a revolution, a revolution in perception of education. College is not inherently evil. There are those who can go to a school and truly get something from it. Acquire knowledge and skills that can be turned into a successful and fulfilling life. Knowledge like science, mathematics, even less concrete things like language and the social studies. But this isn't for everyone. I feel very strongly that everyone is different, and what works for one person is not set to work for another. Those who are skilled with their hands are considered to be lesser people, people of lower intelligences, confined to dirty, grimy shops to work on the machines that power the outside world. What so many people forget is that without those skilled technicians, the rest of us would wilt without our comforts. I am just a lowly, dirty bicycle mechanic, paid minimum wage to work on deceptively complex machines that fall into the realm of recreation and sport. But a lot of people rely on our skills. There are those, either with hard luck or poorly made decisions, who have a bicycle as their only form of transportation. And regardless of the importance of the vehicle, people still come to us because they don't know how to fix it. It is a specialized skill set. And yet because of the expecting gaze of what our society has conditioned us to see, there is no glory in what we do. Only the thoughts, in the back of people's heads, that we didn't go to college.
What we need is a change in perception. We need young people coming out of high school to ask themselves if they want a higher education, a higher education they can use, or if they want an occupation that can make them happy. We need to cast away the stigma of lowliness that accompanies those who don't go to college. We need to glorify the working man, the dirty mechanic with a wrench tightening the structure holding up the fat hide of society. They don't need to be greater than the white-collared businessman, just equal.
Of course, those right out of high school are prone to uncertainty. I know I was. And I don't think anything is inherently wrong with trying college. I firmly believe that college is better at showing us what we hate or don't like, as opposed to what we do like. But maybe that's because I never found that in school. Regardless, the risk, the test drive, the dipping of toes into the academic pool, is a pricey endeavor. Do schools really require all of that money? Does it really cost $30,000 a year for someone to read a handful of books and talk about it with their peers? Does it cost that much to have a dusty old man read regurgitated words, to score those words on how freshly thrown up they are, and to appoint a numerical judgment on one's intelligence?
No, it shouldn't.
Sadly, I know these things will not happen anytime soon, if they indeed ever do. They're just getting worse. College is getting more expensive, and employers are requiring even more slips of Bullshit Paper in order to hire. Like the solution to the problem of Man's interaction with the environment, I feel if we have any hope in this field it will come from a succession of generations, each getting slightly and gradually better than the last, until a conclusive end is finally reached. All we can do is promote awareness of this flaw. Perhaps someday it'll be righted.
The first blunder I see is the direction our society is stepping into. The idea that someone is only successful if they go to college is becoming more and more ingrained in the mind of the average person. Young people are conditioned to immediately judge someone depending on whether or not they attended or are attending college. It is not uncommon for someone to look down on a friend who doesn't further their education after high school. I myself have done it. And then I was the friend not furthering my education. It is a two way street, and I've been down both directions. I am not sure who is to blame for this, other than everyone. Parents, teachers, peers, strangers in the world, all of them cast judgment on us on whether or not we're college educated.
So what do we expect from those who are college educated? They're supposed to be smart, well-read, well-written, able to apply what they learned during their "important" four years into the real world, and perhaps the largest expectation is that they are to be wild. Partying, rampant drinking, promiscuity, experimentation with drugs, and "getting it out of the system" are all hidden expectations for college students, expectations that are met far more often than the previous, more "upright" expectations dealing with academic achievement. But I'm not going to attack the moral ambiguity of these activities. I know that's a lost battle, and I don't care what people do on their own time.
What then is expected of those who don't go to college? Generally, it's that they won't amount to anything, that they are dumb, lack ambition, and are doomed to low-income, bottom of the barrel jobs. McDonalds, Wal-Mart, and gas stations are some of the places we expect these people to work at. They couldn't get into an expensive institution that houses excessive recklessness, so why should they amount to anything?
The discrepancy is in what we expect from those who do go to college and those who don't. College-educated people can hit rock bottom and do nothing with their lives just as much as someone who doesn't go to a school. Those who don't go to college can become incredibly successful, both financially and emotionally. The only real difference is the slip of paper you get after four years that said you put up with bullshit for those four years. Employers look at that paper and think "Here's someone who can be pushed around and conditioned to think whatever we want. Let's hire 'em!"
What we need is a revolution, a revolution in perception of education. College is not inherently evil. There are those who can go to a school and truly get something from it. Acquire knowledge and skills that can be turned into a successful and fulfilling life. Knowledge like science, mathematics, even less concrete things like language and the social studies. But this isn't for everyone. I feel very strongly that everyone is different, and what works for one person is not set to work for another. Those who are skilled with their hands are considered to be lesser people, people of lower intelligences, confined to dirty, grimy shops to work on the machines that power the outside world. What so many people forget is that without those skilled technicians, the rest of us would wilt without our comforts. I am just a lowly, dirty bicycle mechanic, paid minimum wage to work on deceptively complex machines that fall into the realm of recreation and sport. But a lot of people rely on our skills. There are those, either with hard luck or poorly made decisions, who have a bicycle as their only form of transportation. And regardless of the importance of the vehicle, people still come to us because they don't know how to fix it. It is a specialized skill set. And yet because of the expecting gaze of what our society has conditioned us to see, there is no glory in what we do. Only the thoughts, in the back of people's heads, that we didn't go to college.
What we need is a change in perception. We need young people coming out of high school to ask themselves if they want a higher education, a higher education they can use, or if they want an occupation that can make them happy. We need to cast away the stigma of lowliness that accompanies those who don't go to college. We need to glorify the working man, the dirty mechanic with a wrench tightening the structure holding up the fat hide of society. They don't need to be greater than the white-collared businessman, just equal.
Of course, those right out of high school are prone to uncertainty. I know I was. And I don't think anything is inherently wrong with trying college. I firmly believe that college is better at showing us what we hate or don't like, as opposed to what we do like. But maybe that's because I never found that in school. Regardless, the risk, the test drive, the dipping of toes into the academic pool, is a pricey endeavor. Do schools really require all of that money? Does it really cost $30,000 a year for someone to read a handful of books and talk about it with their peers? Does it cost that much to have a dusty old man read regurgitated words, to score those words on how freshly thrown up they are, and to appoint a numerical judgment on one's intelligence?
No, it shouldn't.
Sadly, I know these things will not happen anytime soon, if they indeed ever do. They're just getting worse. College is getting more expensive, and employers are requiring even more slips of Bullshit Paper in order to hire. Like the solution to the problem of Man's interaction with the environment, I feel if we have any hope in this field it will come from a succession of generations, each getting slightly and gradually better than the last, until a conclusive end is finally reached. All we can do is promote awareness of this flaw. Perhaps someday it'll be righted.
Monday, February 14, 2011
Old Music
It's easy to look at music as being "old" or "new." Most radio stations undoubtedly do a good job of reinforcing this for the casual listener. What was devouring the air waves last year is probably pretty difficult to find floating around on those same waves today. There are dedicated stations for specific older music, a great example being the myriad of classic rock stations around the country.
Not to sound pompous, but I've been stewing over how music has developed in this country for the past century or so. I find it incredibly interesting to look at how blues and jazz jump-started popular American music to form rock and roll, then sprouting funk and disco, and eventually pushing rap into existence, while country developed alongside as the blue collar's music, and finally making strange, vague genres we have now like "Adult Alternative." I already unveiled my distaste for confining music into genres, so I won't go much longer on this. But I remember reading that one of the things that revolutionized music was the directional microphone. Performances could suddenly be readily and easily amplified, which paved the way for electric concerts. With electric instruments, artists were able to much more easily and powerfully bend the bones of music to create a new range of forms. In the past century, what mankind has witnessed as popular music evolved is rather amazing, I feel.
The sad part, for me at least, is that I'm overall not very fond of what music has evolved into. For as long as I've listened to music of my choosing, I've been blowing the dust off of vaults, cracking them open, and listening to what was inside. Guitars, banjos, harmonicas, and mandolins formed an uneasy alliance with drum sets, electric guitars and keyboards. I heard people sing songs of lost love, dead men, dying men, a lack of justice, and occasionally, the glory we can find in this world. I could care less about songs concerning the various parts of a woman, or getting drunk with my redneck buddies on the weekend. While I enjoy a good bass-y quality to my music, I'm not entertained by a simple overwhelming beat that can cause my windows to shudder from a passing car.
What I'm talking about here is the discrepancy I see between "old" music and "new" music. And here's my curveball: I'm not proposing "old" music is only music made later than a couple years ago. I'd like to remind the reader that this is me expressing my opinion.
I guess I'll start with the beginning, as I see it. When looking at the history of American music, I think it's worth the time to note two main branches: popular music, and underground music. Popular music is of course on the top, the surface, of the American psyche. I'm not going to do any research on this, but when I think of popular music in the beginning of the century I think of ladies in pretty dresses and men in sharp suits singing with grandiose voices on lavish set pieces. When I think of underground music at the beginning of the century I think of blues singers, and people who sang old, old songs that no one knew who wrote. Of course, the underground always manages to rise to the top from time to time, and a movement forms around it like the ripples surrounding a whale breaking the surface. My go-to example for this was the folk music revival that not nearly as many people know about; the one in the '30's and '40's that formed, a lot like the much more famous one of the late '50's and early '60's, in the cities by young people seeking something not found in popular music. The figures you find in this first revival are legends in American music, and activism to various degrees as well. Names like Pete Seeger, Woody Guthrie, and Leadbelly are quick ones to spout out.
A lot of these people grew to be father and mother-figures to the young people seeking the same answers two decades later in the second folk music revival. They sang old songs that were spun with traditional values, and some other hard to describe quality that separated it from most of the music being made at the time. It gave a lot of people hope, and still does to those who listen. It's funny because a lot of these songs tell of awful incidents, horrible stories that one would think would pull the soul down. Woody Guthrie noticed this and commented on it. Wherever he went, people wanted to hear the low down, hard luck songs. Scrolling through my iTunes library, I don't think there's any song (at least one that I enjoy a little) that paints a completely positive picture. There is always some catch.
So this is "old" music, right? Yeah, you're right. It is, by several definitions, old. But I think the quality to look at the most is not its age, but its content. The manner in which its presented. And the effect it has on people.
This very night was the first night that I watched the Grammy Awards on television. The main reason I watched was because Bob Dylan was scheduled to perform, and I simply couldn't pass up the opportunity. Luckily for me, his performance was about halfway through the show, so I did not have to wait too long. As I sat in my chair, watching and listening to people I almost never see or hear, I couldn't help but compare them to the legend I was waiting for. I was put off by exceedingly extravagant shows, orchestrated to mechanized routines with usually over a dozen dancers. Very skilled individuals I don't doubt, for I know I could not do what they do. I'll respect that.
But do they need that to get their point across? Does Lady Gaga need twenty other dancers spiraling around her for people to see her, to listen to her? I'm pretty sure that little mic dangling next to her mouth is picking up her voice (another grievance of mine... the headset microphones.) The Muse, I believe they were called, were a rock-ish band from England that performed. They were surrounded by several television screens that showed a series of cascading images. Tumbling colonial styled banks, falling television sets, flashy displays of light competed with what the actual performers were doing. And then for the opening act of the show there were a handful of young ladies tributing their voices to Aretha Franklin through the songs we all associate with her. I watched as these done-up ladies shouted into microphones, and all I could think about was what the musicians were doing. When I hear "Think", I want to see "Blue" Lou Marini dancing on a crummy counter with a dirty apron as he's playing the saxophone. I may not be able to play an instrument, but I know it's the musicians that make it possible for the pop divas to even be on the stage. Again, I know what they do is difficult and deserves respect, but why ignore so much of the "big picture."
The timeless counter to this is of course artistic vision. Lady Gaga wants her twenty dancers pointing our eyes to her strange costumes. The Muse want us to think they're cool because they're tumbling the... bank system? Whatever, I can't argue with it. But I can reject it.
When Dylan hobbled out onto the stage, bumping into the upright bass laying on the floor, I knew I was in for a show better than anything those pop punks could come up with. Standing mostly still, with his usual opening arm gesture after most verses, the aged man delivered one of his more iconic songs in a gravely, off-putting, and very rough voice. I bet Justin Bieber didn't know what he was saying. But I bet Neil Young and Tom Petty did.
Behind the revered figure were several young musicians providing the instrumentals and backing vocals. In the center behind Dylan was his long-time bassist Tony Garnier. I didn't catch everyone in the lineup, but I know most of them were from the two bands that played just before Dylan: Mumford & Sons and the Avett Brothers. I had never heard of either of these bands before the show, and while I was not wowed by the Avett Brothers, there was something about Mumford & Sons that caught my eye. Watching them play, my mind wandered to footage in the Bob Dylan documentary "No Direction Home" of Liam Clancy of the Clancy Brothers perform.
Pictures can of course not convey the motion of Liam Clancy strumming that guitar, but it got the gears in my mind turning. I know nothing about either Mumford & Sons or the Clancy Brothers, but I bet some similarities could be found. They knew how to perform, how to really perform, without dozens of near naked men and women spiraling around or expensive and complicated light shows. It was impressive.
I believe "old" music is the embodiment of purpose in playing the actual music. To stand up with an instrument and provide the audience with something to mull over during and after the show. It doesn't have to be political, it doesn't even have to be progressive or "New Age." It could be as simple as wondering why Stagger Lee killed poor Billy de Lyon.
I believe "old" music can be characterized by musicians showing off their craft for everyone to see. I want to see Garth Hudson roll his fingers across those keys to give me the moving organ riffs. I want to see Dylan slide his mouth along the harmonica giving me the piercing notes and long draws. And I want to see the emotion in Richard Manuel's face as he's singing at the piano. Music comes from musicians, not pop divas.
At the end of the day I know this means nothing. What is new now will be old, and what is old now was new. What you like is what you like, and that's cool. But I'm drawing the line in the sand for where I stand. I'll accept Dylan's vocal chords croaking out the words to "Maggie's Farm" long before I'll accept Justin Bieber as a respectable artist. Both symbolically and literally.
"She’s sixty-eight, but she says she’s twenty-four, I ain’t gonna work for Maggie’s ma no more."
Not to sound pompous, but I've been stewing over how music has developed in this country for the past century or so. I find it incredibly interesting to look at how blues and jazz jump-started popular American music to form rock and roll, then sprouting funk and disco, and eventually pushing rap into existence, while country developed alongside as the blue collar's music, and finally making strange, vague genres we have now like "Adult Alternative." I already unveiled my distaste for confining music into genres, so I won't go much longer on this. But I remember reading that one of the things that revolutionized music was the directional microphone. Performances could suddenly be readily and easily amplified, which paved the way for electric concerts. With electric instruments, artists were able to much more easily and powerfully bend the bones of music to create a new range of forms. In the past century, what mankind has witnessed as popular music evolved is rather amazing, I feel.
The sad part, for me at least, is that I'm overall not very fond of what music has evolved into. For as long as I've listened to music of my choosing, I've been blowing the dust off of vaults, cracking them open, and listening to what was inside. Guitars, banjos, harmonicas, and mandolins formed an uneasy alliance with drum sets, electric guitars and keyboards. I heard people sing songs of lost love, dead men, dying men, a lack of justice, and occasionally, the glory we can find in this world. I could care less about songs concerning the various parts of a woman, or getting drunk with my redneck buddies on the weekend. While I enjoy a good bass-y quality to my music, I'm not entertained by a simple overwhelming beat that can cause my windows to shudder from a passing car.
What I'm talking about here is the discrepancy I see between "old" music and "new" music. And here's my curveball: I'm not proposing "old" music is only music made later than a couple years ago. I'd like to remind the reader that this is me expressing my opinion.
I guess I'll start with the beginning, as I see it. When looking at the history of American music, I think it's worth the time to note two main branches: popular music, and underground music. Popular music is of course on the top, the surface, of the American psyche. I'm not going to do any research on this, but when I think of popular music in the beginning of the century I think of ladies in pretty dresses and men in sharp suits singing with grandiose voices on lavish set pieces. When I think of underground music at the beginning of the century I think of blues singers, and people who sang old, old songs that no one knew who wrote. Of course, the underground always manages to rise to the top from time to time, and a movement forms around it like the ripples surrounding a whale breaking the surface. My go-to example for this was the folk music revival that not nearly as many people know about; the one in the '30's and '40's that formed, a lot like the much more famous one of the late '50's and early '60's, in the cities by young people seeking something not found in popular music. The figures you find in this first revival are legends in American music, and activism to various degrees as well. Names like Pete Seeger, Woody Guthrie, and Leadbelly are quick ones to spout out.
Pete Seeger and Woody Guthrie, playing together. |
So this is "old" music, right? Yeah, you're right. It is, by several definitions, old. But I think the quality to look at the most is not its age, but its content. The manner in which its presented. And the effect it has on people.
This very night was the first night that I watched the Grammy Awards on television. The main reason I watched was because Bob Dylan was scheduled to perform, and I simply couldn't pass up the opportunity. Luckily for me, his performance was about halfway through the show, so I did not have to wait too long. As I sat in my chair, watching and listening to people I almost never see or hear, I couldn't help but compare them to the legend I was waiting for. I was put off by exceedingly extravagant shows, orchestrated to mechanized routines with usually over a dozen dancers. Very skilled individuals I don't doubt, for I know I could not do what they do. I'll respect that.
But do they need that to get their point across? Does Lady Gaga need twenty other dancers spiraling around her for people to see her, to listen to her? I'm pretty sure that little mic dangling next to her mouth is picking up her voice (another grievance of mine... the headset microphones.) The Muse, I believe they were called, were a rock-ish band from England that performed. They were surrounded by several television screens that showed a series of cascading images. Tumbling colonial styled banks, falling television sets, flashy displays of light competed with what the actual performers were doing. And then for the opening act of the show there were a handful of young ladies tributing their voices to Aretha Franklin through the songs we all associate with her. I watched as these done-up ladies shouted into microphones, and all I could think about was what the musicians were doing. When I hear "Think", I want to see "Blue" Lou Marini dancing on a crummy counter with a dirty apron as he's playing the saxophone. I may not be able to play an instrument, but I know it's the musicians that make it possible for the pop divas to even be on the stage. Again, I know what they do is difficult and deserves respect, but why ignore so much of the "big picture."
The timeless counter to this is of course artistic vision. Lady Gaga wants her twenty dancers pointing our eyes to her strange costumes. The Muse want us to think they're cool because they're tumbling the... bank system? Whatever, I can't argue with it. But I can reject it.
When Dylan hobbled out onto the stage, bumping into the upright bass laying on the floor, I knew I was in for a show better than anything those pop punks could come up with. Standing mostly still, with his usual opening arm gesture after most verses, the aged man delivered one of his more iconic songs in a gravely, off-putting, and very rough voice. I bet Justin Bieber didn't know what he was saying. But I bet Neil Young and Tom Petty did.
Behind the revered figure were several young musicians providing the instrumentals and backing vocals. In the center behind Dylan was his long-time bassist Tony Garnier. I didn't catch everyone in the lineup, but I know most of them were from the two bands that played just before Dylan: Mumford & Sons and the Avett Brothers. I had never heard of either of these bands before the show, and while I was not wowed by the Avett Brothers, there was something about Mumford & Sons that caught my eye. Watching them play, my mind wandered to footage in the Bob Dylan documentary "No Direction Home" of Liam Clancy of the Clancy Brothers perform.
The Clancy Brothers performing. |
I believe "old" music is the embodiment of purpose in playing the actual music. To stand up with an instrument and provide the audience with something to mull over during and after the show. It doesn't have to be political, it doesn't even have to be progressive or "New Age." It could be as simple as wondering why Stagger Lee killed poor Billy de Lyon.
I believe "old" music can be characterized by musicians showing off their craft for everyone to see. I want to see Garth Hudson roll his fingers across those keys to give me the moving organ riffs. I want to see Dylan slide his mouth along the harmonica giving me the piercing notes and long draws. And I want to see the emotion in Richard Manuel's face as he's singing at the piano. Music comes from musicians, not pop divas.
At the end of the day I know this means nothing. What is new now will be old, and what is old now was new. What you like is what you like, and that's cool. But I'm drawing the line in the sand for where I stand. I'll accept Dylan's vocal chords croaking out the words to "Maggie's Farm" long before I'll accept Justin Bieber as a respectable artist. Both symbolically and literally.
"She’s sixty-eight, but she says she’s twenty-four, I ain’t gonna work for Maggie’s ma no more."
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